Agree wholeheartedly with Doug McGrath's argument in the New York Times that Doris Day deserves a special Oscar: "Look at her performance as the singer Ruth Etting in Love Me or Leave Me (1955), a dark, backstage story with James Cagney, and then watch the inane yet radiant Pillow Talk (1959). She works in both of them and she makes both of them work." (Yup.)