It's not that I think all the contributions he made to the Great American Eating Disorder or Conspicuous Consuming are so adorable, but he had the virtue, like the first wave of immigrant Hollywood dreambrokers, of working in fantasy. He created jiggle shows that were really jiggle shows and didn't feel like they could be anything else. Friends is a jiggle show but pretends it's not.
Plus, the funnest thing about Aaron Spelling is not the work of his that succeeded, but the insane crap that never took off, like Velvet, maybe the worst/best made for TV-movie ever, with aerobics-instructing crime-fighting ladies who step on a scale to open their secret lair and have radio transmitters in their diamante lightning bolt hairclips, with Shari Belafonte as the high-fiving sassy Velvet of Color and Polly Bergen as the dyke-y housemother Velvet instructress. Unbelievably great.
So much of his stuff was just kooky, nuts--all those Fantasy Island plots come from somewhere really dark in the brain. The Boy in the Plastic Bubble (oh my GOD, I remember my whole class so atwitter about that the next day) probably shaped my entire female generation's sexuality on some level--the byooful johntravolta, all trapped in a bubble, waiting for us to love him out of it. Anyhow...godspeed. Strangely, Ozymandias-ly sad.
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Heh heh...hilARious. Maybe you've noticed this (yes, you) in all the different mattress ads on TV: a big selling point is now that you can't feel the other person moving on the mattress next to you. Demonstrators fling bowling balls on one side of the mattress while people snore away on the other or people jump up and down on one side while a wine glass stays still. It's starting to make for some really hilarious Sophie Tucker copy, is the point, that cracks me up every time I watch it. "I can't even sense Bob moving!" "My husband's moving and I can't feel a thing!" Hehehehe I'm sorry, but hehehehehehe.
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Totally, completely worth it: the nice DVD version of Gosford Park. The commentary by screenwriter Julian Fellowes is really fascinating. Some of the detail I was familiar with as a die-hard fan of stories of Edwardian houseparties, but lots of it was new and revelatory. Balanced, fair, fascinating. In me umble O.
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