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The thing that struck me watching the program for some reason was this little trope that I had forgotten I heard a lot in my childhood--the way that people say, "the Met," then quickly add "the OLD Met," when they're talking about the old building. That was a big distinction people made when they were talking about my greatgrandfather, who apparently subsidised his love of opera by being a spearcarrier when not in the standing room seats AT THE OLD MET (was always the addendum). The old Met with the curtain. It had this fairytale ring, and was intimately connected somehow to the idea of the old country and struggle--like that was the church, the temple of opera that the recent immigrants got for their new years in this country, where they brought their love of it. The OLD Met. Heard a lot of people saying that on the Volpe tribute. I guess it's just that I forgot I had a relative who liked opera that much, and on that side of the family (never met him, obviously)--there are more loud music lovers on the other side. I'd like to know more--always did. To me as a kid, standing room and being a spearcarrier sounded incredibly glamorous.
I have had very specific dreams about donating huge amounts of money to the 2nd and 3rd tier PBS stations in Chicago and leaving the big one out in the cold. I just can't figure out what they do with all their money--doesn't show up on what's on screen.
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There are an army of women populating my late-night TV: punching, kicking, abdominalmuscley, yelling, smiling, sweating, hyper, amenorrheic(-looking), devotees of whatever--Tae Bo, Yoga Booty Ballet, whatever. These exercising Californian women who often look like they literally are part of an army with all the olive green. I'm tired of them. They all have too-young girly hairdos and clothes slung low on their hips and are getting very tedious. I think they would be better-served fighting for something else.
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